|
|
A Custom TraditionPat And Linda Keating's Chopped, Channeled, Sectioned, And Shortened '48 Chevy Carries On... From the February, 2009 issue of Street Rodder By Jerry Weesner Illustrators: Eric Geisert
|
|
My first encounter with Pat Keating's radically customized '48 Chevy coupe was at a trade show in Louisville, Kentucky, early last year. It literally knocked my socks off, and I immediately dragged our VP of Editorial, Tom Vogele, over to the booth where it was displayed, so he too could experience this metalworking marvel firsthand. Tom has a hands-on history in street rod building, including having worked for Boyd Coddington and contributing heavily to an Oakland-winning roadster, so I knew he'd appreciate what he saw. To say he was impressed with the car is probably an understatement, and the same goes for most all who come across it at a rod run--it knocks you dead in your tracks. Pat is a retired metal finisher, resides in Brooks, Kentucky, with his wife Linda, and has had several significant cars under his belt in the past 45 years he's been involved in the hobby, including a '50 Merc for Billy Gibbons. When asked about his current car, and why he built such a radical piece (which ultimately consumed some 3,700 hours of his time over a 15-month period), Pat isn't shy, saying (with tongue firmly placed in cheek), "To be on the cover of a magazine!" Now obviously, everyone with a similar goal doesn't succeed, and if that's all one builds a car for they could be cruising for a big disappointment. However, as Pat well knows from his years of involvement, if one does win an award or find their car in a magazine as prestigious as STREET RODDER, it's just icing on the cake. So what did consume all of those months in building this Stovebolt anyway? Well, for one thing, METALWORK, and lots of it! Pat started with a '48 Chevy coupe he'd purchased back in 1990 for $1,000, but when he finally decided to get serious with building his no-holds-barred creation, more modern underpinnings in the form of an '80 Chevy Malibu chassis were felt in order. However, to make the coupe fit the 108-inch wheelbase chassis, Pat had to shorten the body some 7 1/2 inches. Also, to start the lowering process, which would later be enhanced with air suspension from Airlift Co., he dropped the body over the chassis for a 6-inch channel, utilizing the donor Malibu's floorpan. He also chopped the top some 5 1/2 inches, removing the upper B-pillars in the process for a hardtop look, but that was only for starters. Pat also moved the cowl rearward 6 inches to create a longer, better proportioned front end, angling the windshield back at a greater rake, then moved the lower B-pillar back an equal amount to the cowl for door fit. Now you'll have to understand that all of this slicing and dicing was going on simultaneously, as Pat had a vision of what the car should ultimately become, so when I mention that he also sectioned the body 6 inches through its midsection to get it just right, you shouldn't be at all surprised. This was just about it for any sheetmetal of 1948 origin, as virtually everything else was formed from 18-gauge steel, including the hood, upper cowl, front fenders with openings for Mercedes headlights, engine compartment, rocker panels, decklid, rear pan/taillight panel, and swoopy dashboard and interior sculpting. The grille and rear bumperettes (which house custom taillights) were first carved from wood, then taken to the Ashley Aluminum Foundry to be cast, and finally plated by MetalBrite. Such intensive labor and attention to detail is rare in the construction of any car, but well worth the effort if one wants to see his vision fulfilled without compromise. To detail his dream even further, Pat called on Taylor's House of Color in Louisville to apply Orange, Purple, and Green Pearl basecoat/clearcoat, and Bill Scott of the same city to cover the interior in tan leather. Underhood there beats the heart of a super detailed small-block Chevy with custom, body-matching air cleaner. Wheels are 17-inch Colorado Custom Leadvilles wrapped in BFGoodrich rubber--and that's the name of that game. Let's hope that Pat has another street rod dream in the works, because the staff can't wait to see it in the metal. Cover car...hmm?  All that underhood sheetmetal,...  All that underhood sheetmetal, as well as the hood itself, was fabricated by Pat from 18-gauge steel. The Pearl Orange-painted small-block Chevy has a block ground as smooth as a baby's butt, the detail being second to none, and that body-matching air cleaner is but another of Pat's creations. If you could get past the polished Holley components, you'd find even more detail in the form of Jet-Hot-coated Holley headers running into a custom, Bassani-crafted, polished stainless exhaust system. Horsepower is put to good use through a GM 350 Turbo tranny and slightly narrowed, disc brake-equipped, 3.08:1-geared Chevy 10-bolt.  A vision fulfilled--some 3,700...  A vision fulfilled--some 3,700 hours and $40,000-plus in labor (fortunately, it was mostly the owner/builder's labor). Pat and Linda Keating's '48 Chevy is a masterwork of our hobby's two classic disciplines, rodding and customizing--dare we throw caution to the wind and call it a custom rod? The thoroughly re-proportioned car's body is now as much handformed 18-gauge sheetmetal as it is Fisher Body, for it now sports a one-off cast aluminum grille, Mercedes lighting, and a tri-color basecoat/clearcoat paint job, laid out, sprayed, and pinstriped by Bob Taylor at Taylor's House of Color in Louisville, KY. Rolling stock on the Airlift-suspended coupe consists of 17-inch Colorado Custom Leadville wheels (7-inch wide front, 8-inches wide in rear) wrapped in BFGoodrich rubber.  Eric Geisert dropped in on...  Eric Geisert dropped in on Pat one day when construction was well underway, and captured the coupe in bare metal. When we find such an example of mud-free craftsmanship, we always feel a little sad to see it come to its ultimate conclusion, no matter how beautiful the finish paintwork may be. Note that in this stage of build, it rolled on American five-spokes.  Inside, what wasn't formed...  Inside, what wasn't formed from sheetmetal by Pat and painted by Bob Taylor, was covered in supple tan leather by Bill Scott. Front seats started their life as office furnishings in a Pontiac Grand Am, while the rear is from a Buick. A GM tilt column is controlled by a Colorado Custom Leadville billet steering wheel (matching the road wheels), while gauges are Auto Meter, climate control by Vintage Air, with shifter and door, hood, and trunk releases from Lokar. Custom tempered glass is from Brill Glass, and weather-stripping by SoffSeal make the cockpit comfy, while wiring by Painless makes everything function, including the CD player, speakers for which may be found beneath the louvered package shelf.        A few of Pat and Linda's coupe's...  A few of Pat and Linda's coupe's amazing details include: handformed hood-into-cowl transition with virtually undetectable hinges; handformed luggage compartment housing the Airlift Co. air tank that controls ride height and stance, plus battery, gas filler, and a myriad of other items best kept from view in a smoothie of a cruiser such as this; and lighting, both Teutonic and handformed, along with special cast aluminum brightwork. Oh, did we mention that quartet of polished stainless Bassani exhaust tips, and how about that Kentucky license plate? Historic Motor Vehicle...yeah, right!
|
|
|
|
Pipe Dream
If you consider yourself any kind of automotive hobbyist, you're intimately familiar with pipe...
more
|
|
|
It's Alive!
Back in the early '90s, Tim Lies (pronounced Lease), from Wheaton, Illinois, found himself inspired...
more
|
|
|
Chrysler City Coupe
The "Chrysler City Coupe" is the second vehicle in a series, utilizing the legendary designing...
more
|
|
|
A Martinized Coupe
If it's true that you can take the boy off the farm but not the farm out of the boy, then you could...
more
|
|